Arnoud Holleman
Amsterdam, Saturday September 26, 2020
Unframed drawing
In later years, after being trained as a visual artist, I got interested in the differences and parallels between drawing and photography. When I redrew a photograph of a young boy looking at a horizontal piece of paper, I re-experienced something of that primitive power of the image: the boy and I coincided and somewhere inbetween, reality as such was redefined as an object for exhibition. Photos from installation at Stedelijk Museum.
Homage
Since 2008 there has been a lively dialogue in the museum between old masters and present-day artists. Arnoud Holleman (Haarlem, 1964) is taking this a step further. He made a film in the Schutterszaal in which �watching� is key. Frans Hals�s world-famous civic guard works and a selection of sculptures by Mari Andriessen, Han Wezelaar, Charlotte van Pallandt and others create the background for a cast of eighteen actors.
Solipsistic Skies
He ejaculated on the paper, outlining the blobs with watercolour crayon. Once it had all dried, he made everything around these constellations black with pencil. The drawing then became a window looking out towards a cosmos-like world, full of nothingness. This blackening process was a monotonous task, which allowed him to withdraw happily into the right side of the brain, where timelessness rules.